Friday, May 2, 2025

The judge claims that the Copyright Ai Meta case concerns “the next Taylor Swift”

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The Battle of Copyright Meta with a group of authors, including Sarah Silverman and Tahisi Coates, will ask whether the company’s AI tools ensure the work of cannibalization of the authors’ books.

The judge of the US District Court Vince Chhabria spent a few hours grilling lawyers from both parties after everyone submitted applications for a partial summary judgment, which means that they want Chhabria to rule on specific matters of the case, and not leaving each of them to hear. The authors say that the finish line illegally used their work to build AI generative tools, emphasizing that the company pirated their books using “Shadow Libraries” such as Libgen. The social media giant does not deny that he has used work or that he has downloaded books from shadow libraries, but insists that his behavior is protected by the doctrine of “allowed use”, an exception in copyright, which allows without permission to apply work in the scope of copyright in some cases, including parodies, teaching and informing about messages.

If Chhabria gives any application, issues a ruling before this case – and probably establishes an vital precedent, shaping the way the courts cope with generative matters regarding AI copyrights. Kadrey against the finish line It is one of dozens of lawsuits filed against AI companies that are associated by the American legal system.

While the authors were strongly focused on the piracy element in the case, Chhabria definitely spoke about his belief that the main question is whether AI Meta tools will harm the sale of books and in another way that the authors will lose money. “If you change dramatically, you can even say a blur, the person’s labor market, and you say that you do not even have to pay a license to this person to use your work to create a product that destroys the market for their work – I just don’t understand how it can be fair use,” said meta lawyer Kannon Shanmugam. (Shanmugam replied that the suggested effect was “only speculation”).

Chhabria and Shanmugam were debated whether Taylor Swift would be hurt if her music were passed on with the AI ​​tool, which then created billions of robots. Chhabria asked how this would affect the less established songwriters. “What about the next Taylor Swift?” He asked, arguing that “a relatively unknown artist”, whose work was swallowed by the finish line, would probably hinder their career if the model produced “a billion pop songs” in his style.

Sometimes it sounded as if the accident lost the authors, and Chhabria noticed that the finish “intended for falling”, if the plaintiff could prove that Meta tools created similar works that cracked how much money they can earn on their work. But Chhabria also emphasized that he was not convinced that the authors would be able to show the necessary evidence. When he turned to the legal team of the authors, headed by the celebrated lawyer David Boies, Chhabria repeatedly asked if the plaintiff could actually justify the accusation that Meta AI tools would probably hurt their commercial perspectives. “It looks like you are asking me to speculate that this will affect the memories of Sarah Silverman,” said BOIES. “This is not obvious to me.”

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